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PUBLICATIONS

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Forthcoming

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“Other Looks: Chicanx Responses to US Magazine Aesthetics,” essay forthcoming in MELUS.

 

2021     

 

“‘I Can Scrawl and I Can Crawl: Kathy Acker Drawing Toward New Narrative,”  essay in Textual Practice 15 July 2021.

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"Binging the Borderlands," review, Public Books, March 22, 2021.

 

2020

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“Talking #browntv: Latinas and Latinos on the Screen by Frederick Luis Aldama and William Anthony Nericcio,” review, MAKE Literary Magazine, August 31, 2020.

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“James Baldwin and Theodore Pelatowski’s ‘Unto the Dying Lamb,’” introduction to ‘Little-Known Document,’ PMLA Volume 135, Number 2, March 2020, pp. 344–349.

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2019

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“Aida Muluneh’s Strength in Honor,” Among Others: Blackness at MoMA. New York: The Museum of Modern Art, 2019.

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“What is ‘Camp’: Five Scholars Discuss Sontag, the Met Gala, and Camp’s Queer Origins,” essay on Aesthetics for Birds May 6, 2019.

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2018                                    

 

“Everybody Knows His Name: James Baldwin and Richard Avedon’s Nothing Personal,” Los Angeles Review of Books April 7, 2018.

 

2017

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 “Reading Color: Looking Through Language in Warhol,” Criticism 59.4, pp.511-538.

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“’Who’s that over there?’: A Response to Communal Presence: New Narrative Writing Today,” Chicago Review November 2017.

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2016                                       

 

“(Re)pose/(Death)mask: The Visual Language of the Photographic Portrait,” solicited essay in There Was a Whole Collection Made - Photography from Lester and Betty Guttman. University of Chicago, David & Alfred Smart Museum, 2016. 

cmerport[at]oberlin[dot]edu

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